Mandy’s love of Tasmania is deep and through her highly developed skill as a storyteller provides a multi-layered visual experience and narrative for the viewer.
You are purchasing a print on canvas
About the artwork:
Hells Gates, Strahan
Between 1822 and 1834, Sarah Island was the most feared place in Australia. Clinging to the shores of the wild west coast of Tasmania and hemmed in on all sides by rugged unchartered wilderness, the environment itself formed walls that confined the convicts who were sent there.
About the Cockle Creek to Queenstown collection:
Cockle Creek to Queenstown interprets, with visual images and history, the Tasmanian landscape through a combination of themes. These include: tracing the journeys of the early exploration by the Europeans, the settlement of the Tasmania, the representation of palawa kani, illustrations of the land and its histories and the relationship between the images and text.
About the print on canvas:
Each canvas is hand-stretched over a kiln-dried timber frame and coated with Aquathane-UV liquid laminate. This ensures the prints are fade-resistant, durable, and easy to clean. Print comes on premium archival canvas and printed with genuine Canon inks to guarantee the prints are made to the highest standard.
Please note – actual size may vary, size indicates maximum width or height (eg. portrait or landscape).
Copyright Mandy Hunniford 2022
Hells Gates, Strahan – Print
Description: Print on canvas
Purchase: Print available
$299.00 – $799.00
To Those that did not Return Home (Panel 6) – Print$299.00 – $799.00 Select options